摄影是真实的假象。古建筑在我看来也具备这样的特性，它们丧失了实际的功能如海市蜃楼般存在于现代都市。对于摄影来说，它复制现实，而作为图像的摄影，正如罗兰巴特所说的想要知道照片‘本身是什么’的疑惑却挥之不去。在这组照片中，我在这些复制的现实之外附加了一种“图像的光”，这些光并非来自拍摄的空间，只与图像或者说与底片相关。它存在于图像的空间，试图打破图像上的现实，并将其带入另一个现实，即图像的现实，这个现实比起图像上的“现实”，能让我更接近摄影。圆光术是一种具有“显像”功能的民间法术，通过利用平面的反光物以寻求事情的真相，我借用这个概念并结合我对摄影的理解完成这组作品，即图像的真相可能并非我们所见的“物象”。

Circular polarization is a folk spell with “development” function. By using flat reflective objects to find the truth of the matter.Photography is the real illusion. Ancient buildings also have such characteristics in my opinion, they have lost their actual functions as mirages exist in modern cities. For photography, it replicates reality, and as an image of photography, as Roland Bart said, the suspicion of wanting to know the photo ‘what is it’ is lingering. In this set of photos, I added an “image light” beyond the reality of these reproductions. These lights are not from the space of the shot, but only related to the image or the film. It exists in the space of the image, trying to break the reality on the image and bring it into another reality, the reality of the image. This reality can make me closer to photography than the “reality” on the image.